REVIEW: In Another Life, Real Gone Rocks

June 25, 2026 | Real Gone Rocks

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Following the wonderful ‘Letting Go’, Deardarkhead have delivered another winner with the atmospheric ‘In Another Life’. On this track, the instrumental act dive even deeper into a world of late 80s goth sounds with the help of a throbbing bassline and deep sounding guitar lines that venture into the darker corners of a sweeping melody. In keeping with the previous track, a brighter, ringing guitar tone adds some strong lead parts, often drawing again from old goth and post punk influences, but even carrying a faint echo of early work from The Fierce & The Dead. Helping the band to gain even more traction after a long overdue return, ‘In Another Life’ should appeal to fans and first time listeners equally.

https://www.realgonerocks.com/2026/06/the-real-gone-singles-bar-162/

REVIEW: In Another Life, The RingMaster Review

June 24, 2026 | Pete RingMaster

Sweltering with the Shameless: Passional

The RingMaster Review

Another song that is as atmospherically inspiriting as it is shadow involving is In Another Life. It is the new single from New Jersey’s DEARDARKHEAD and the second invitation towards the band’s forthcoming album, The Pendulum Swings which comes out on July 10th via Fertile Crescent Records. It too is a track that draws the listener into a suggestive realm where they can imagine their own individual premise behind the instrumental but also a track that easily had feet dancing.

The Pendulum Swings is the trio’s first full-length album in 25 years and a proposal that, based on the combined adventure of lead single Letting Go and now In Another Life, will find itself the centre of hungry curiosity from DEARDARKHEAD fans and newcomers alike.

In Another Life is like walking into a dark forest of sound with every sinew of its body and scenery as imposing as they are engaging. Even so, with a great grumbling bassline and a melodic hook that borders on intoxication, the track is instinctive contagion even as it battles with dark anxiety and quite irresistible.

https://ringmasterreviewintroduces.wordpress.com/2026/06/24/sweltering-with-the-shameless-passional/

REVIEW: Letting Go, Real Gone Rocks

June 16, 2026 | Dimitris Zacharopoulos

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Deardarkhead, the New Jersey instrumental alt-rock outfit, present the single “Letting Go”, off their new album “The Pendulum Swings”, their first full-length album in 25 years! “Letting Go” is a perfect example of what Deardarkhead are all about – a smart, emotional, evocative and honest fusion of alt-rock, shoegaze, dream pop and post-rock! The song begins with its steady drums and luminous, nostalgic guitars, which play the leading role in this guitar-oriented composition. It is like a travel companion while you are driving down the highway, like background music while you are working at home, like the soundtrack to a beautiful, adventurous life! Deardarkhead know how to take you on a distant, mysterious, misty ride, whether in the city or in the countryside. I personally didn’t know what to expect when I read the press info about this single, but when I pressed play, I understood why this song is described as an immersive experience – a song that you live, not just hear! The production is very clear and expressive, helping the musicians tell their story through beautiful notes. Don’t expect something progressive or avant-garde, although their mindset is certainly sophisticated. Deardarkhead have crafted a delicate song that speaks to both the mind and the heart. There is no way you will get bored with their musical story. If “The Pendulum Swings” is anything like this first single, then we are dealing with truly enchanting music, full of grace and richness! I liked it! 8/10

https://mythofrock.gr/deardarkhead-letting-go-2026-single-fertile-crescent/

REVIEW: Letting Go, Real Gone Rocks

June 11, 2026 | Real Gone Rocks

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Blending alternative rock and dream pop, Deardarkhead whip up a superb sound on ‘Letting Go’. Building from a solid bassline, the number takes a mid tempo groove and layers that with a soaring guitar that shares a very lyrical sounding melody. The lead guitar tone is beautiful, bringing a pinch of very commercial goth to an already great sound. The music here is so strong that a vocal really isn’t missed, despite Deardarkhead sharing something that would typically find space for a spacey, studio treated voice to bring an extra layer of atmosphere. In and out in a little over three minutes, this single relies on absolutely no padding, and as the last notes fade, you might feel a definite urge to hit the repeat button… An absolutely stunning track.

https://www.realgonerocks.com/2026/06/the-real-gone-singles-bar-160/

REVIEW: In Another Life, Sound Read Six

June 10, 2026 | Rowan Blair Colver

Deardarkhead Offer Pure Musicality With Their Dazzling In Another Life

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They’re working up a storm for their latest album, The Pendulum Swings. New Jersey-based Deardarkhead have been quiet over the past couple of decades, it’stheir first full-length release in 26 years, with In Another Life as the second single from the future album. It follows from their highly acclaimed Letting Go, which recently broke the ice after all this time. Their name comes from a traditional poem called Cean Dubh Dilis by Irishman Samuel Ferguson.They’ve also shared stages and studios with serious modern talent, feelingright at home alongside people like Deborah Harry, Supergrass, Everclear, andThe Psychedelic Furs. Their alt-rock sound is made more intriguing with the use of top-drawer melodic guitar and malleable atmosphere. As the clock strikes music and the chimes echo into memory, this is In Another Life.  
 
A tone rich electric guitar begins to roar like an engine with an excess of valves. The fuel-hungry motor continues as the bass throws down the rhythmic section in rivers of reverberant atmosphere. The lead guitar then leaps into action, piercing the cloud layer with rockets of melody and emotive deliverance. A prog rock meltdown then carries the music down into a kind of rabbit hole, rhythm shifts in tune and the drums carry the weight on their shoulders. A spiralling mix of post-rock greets the gothic undercarriage that lifts off the ground in sweeping bars of adventure.

https://www.soundreadsix.com/home/deardarkhead-offer-pure-musicality-with-their-dazzling-in-another-life

REVIEW: In Another Life, Exhimusic

June 8, 2026 | Exhimusic - Journeys Through Music

Deardarkhead shares “In Another Life”, marking a stunning return after 26 years in the shadows.

After more than two decades between full-length albums, New Jersey’s Deardarkhead return with “In Another Life,” a stirring instrumental shoegaze journey that proves some bands don’t simply survive the passage of time—they deepen because of it.

Serving as the second preview from the forthcoming album The Pendulum Swings, the track finds Deardarkhead refining the atmospheric sound they’ve spent decades cultivating. Without relying on vocals, the trio crafts a narrative entirely through texture, dynamics, and emotional resonance, creating a piece that feels both intensely personal and universally relatable.

“In Another Life” opens with crystalline guitar arpeggios that immediately evoke the dreamlike qualities of classic shoegaze and post-punk pioneers. As the arrangement unfolds, shimmering melodies collide with walls of fuzz-drenched tremolo, while a melodic bass foundation anchors the song’s drifting emotional currents. The result is a lush, cinematic soundscape that recalls influences such as Ride, Slowdive, Lush, and Kitchens of Distinction, while maintaining a distinct identity forged through years of evolution.

What makes the track particularly compelling is its sense of movement. Rather than settling into a single mood, the song gradually builds and recedes like memory itself, mirroring drummer Robert Weiss’s thematic inspiration: the lingering fascination with paths not taken. The composition captures that bittersweet tension between reflection and acceptance, suggesting alternate futures without becoming trapped by them.

Kevin Harrington’s guitar work is especially noteworthy, weaving soaring lead lines through layers of atmospheric effects with remarkable restraint. The band’s chemistry shines throughout, balancing expansive shoegaze textures with the rhythmic drive and melodic precision more commonly associated with classic post-punk. Hints of The Cure, The Chameleons, Echo & the Bunnymen, and Cocteau Twins emerge organically within the arrangement, yet never feel derivative.

The production team of Brian McTear and Amy Morrissey brings impressive clarity to the dense instrumentation. Every layer occupies its own space, allowing the song’s intricate details to emerge with repeated listens. The mastering by Joe Lambert further enhances the track’s expansive character, giving it both warmth and breadth without sacrificing impact.

Perhaps the greatest achievement of “In Another Life” is its ability to communicate so much without a single lyric. Deardarkhead have embraced their instrumental identity completely, allowing melody and atmosphere to carry emotional weight where words might otherwise reside. A captivating instrumental meditation on possibility, memory, and acceptance, the song showcases Deardarkhead at their most immersive and emotionally resonant, inviting listeners to project their own experiences and interpretations onto its sweeping sonic landscape.

As a preview of The Pendulum Swings, “In Another Life” suggests that Deardarkhead’s first album in 26 years will be more than a nostalgic return. Instead, it feels like the work of a band that has spent decades refining its voice, emerging with renewed purpose and creative confidence. Rich in atmosphere, emotionally evocative, and beautifully crafted, “In Another Life” stands as a compelling statement from a band whose creative momentum shows no signs of slowing.

As of June 9, ‘In Another Life’ is available from music platforms, including SpotifyApple Music and Bandcamp. Now available for pre-order, ‘The Pendulum Swings’ album will be released on CD, digitally, and on 180-gram vinyl on July 10.

https://www.exhimusic.com/magazine/2026/06/08/deardarkhead-shares-in-another-life-marking-a-stunning-return-after-26-years-in-the-shadows/

REVIEW: Letting Go, WoNoMagazine

June 7, 2026 | Wout de Natris

An instrumental track somehow is the hardest to write about for me. Not that I analyse lyrics a lot, it is the layer of how vocal melodies interact with the music, where I often focus my attention on. Deardarkhead is a band from New Jersey, formed in 1988, that in 1998 released its only full length album to date, 'Unlock the Valves of Feeling'. Since several EPs saw the light of day, the last one being from 2016. Since its singer left, the band has become an instrumental outfit and listening to Letting Go focusing on extremely melodic instrumental tracks. Guitarist Kevin Harrington leads the pack with a very clear sound, while never overdoing the number of notes he can squeeze in. This is about melody and not about chops and prowess. He is supported by drummer Robert Weiss and bassist James Malizia, The mortar in between is played by guest keyboardist Joe McGinty (The Psychedelic Furs, Nada Surf, Ryan Adams and Deborah Harry), who adds just the right texture. It is this combination of musical facts that make me like Letting Go. There will be a full length album, Deardarkhead's second, on 10 July called 'The Pendulum Swings'.

https://wonomagazine.blogspot.com/2026/06/2026-week-23-10-singles-2.html

REVIEW: Letting Go, Skylight Webzine

May 23, 2026 | Billy Yfantis

Skylight Webzine

Kevin Harrington claims that “Letting Go” is “a song about growth…change…letting go of old ways,” with a focus on accepting a new path with confidence and clarity. Keyboardist Joe McGinty, who is well-known for his work with The Psychedelic Furs, Nada Surf, Ryan Adams, and Deborah Harry, joins Deardarkhead to further enhance the song. The production crew, which was recorded at Miner Street Recordings in Philadelphia, also comprises mastering engineer Joe Lambert, Brian McTear, and Amy Morrissey. Their combined experience adds more detail to the release’s sound. The song begins with vibrant drumming and beautiful, Shoegaze-inspired guitar sounds that immediately bring out a nostalgic atmosphere characteristic of bands like Lush, Slowdive, and the Stone Roses. From the beginning, the composition balances dreamy warmth with a steady rhythm, resulting in a sound that is upbeat. “Letting Go” is an instrumental work that communicates its message purely through melodic expression and mood. The guitars take on the major narrative style of the piece, expanding through dynamic phrasing and layered sounds that create an exploratory and open atmosphere. Rather than remaining static, the arrangement is constantly evolving with small modifications and changing musical patterns. Technically, the performance is very detailed, featuring numerous changeovers and interconnected instrumental components that call for careful attention. These changing patterns correspond to Harrington’s topic of inner development, reinforcing the concept of movement, advancement, and emotional freedom through sound only. Finally, “Letting Go” works as both a nostalgic shoegaze-influenced instrumental and a personal statement about change and rebirth. Its lush guitar work, fluid arrangement, and powerful atmosphere allow for an engaging listening experience that inspires self-analysis and gentle optimism.

Deardarkhead

REVIEW: Letting Go, The RingMaster Review

May 22, 2026 | Pete RingMaster

Entangled in the Shameless: Part 1 Fascination

The RingMaster Review

With their new album, The Pendulum Swings, waiting in the wings, New Jersey alt rock outfit DEARDARKHEAD have laid down a potent invitation with the track Letting Go. It is the recently released lead single from the FERTILE CRESCENT RECORDS brought full-length, its own unveiling set for July 10th, and a moment of instrumental enterprise that swiftly had ears and the imagination on board.

DEARDARKHEAD consists of guitarist Kevin Harrington, drummer Robert Weiss and bassist James Malizia, a line-up in place from in August 2024, though the upcoming album features previous bassist Brandon Howard. After the departure of its vocalist/bassist Michael Amper in 2009, DEARDARKHEAD became instrumental prominent and grown into crafting tracks that are rich in suggestive storytelling as Letting Go proves. The decades since emerging in 1988, has seen the band share stages with the likes of SUPERGRASS, THE LILYS, EVERCLEAR, NOTHING, and THE PSYCHEDELIC FURS among many, and their new track sees keyboardist Joe McGinty, renowned for his time in the latter band guesting.

Letting Go calmly moves in but quickly spins a web of guitar incitement around rhythmic fertility. It is not so much a trap but an invitation of sound that grows as the band aligns individual enterprise for its contemplation of growth and the strength in embracing change.

As all the best instrumentals, it is a track that presents its own contemplation but leaves plenty of its suggestive canvas free for the listener’s imagination to interpret and cast their own relatable premise while involving them in the allure of spicy grooves and intimate melodies. Letting Go is a richly enjoyable invitation into that upcoming DEARDARKHEAD album too, and we cannot imagine being alone in keenly waiting for that.

https://ringmasterreviewintroduces.wordpress.com/2026/05/22/entangled-in-the-shameless-part-1-fascination/

REVIEW: Letting Go, Musicngear

May 2026 | Eugenia Roditis

The New Rock Generation - May 2026

Deardarkhead - Letting Go

Even without lyrics, Letting Go says exactly what it needs to. The soaring guitars and melodic bass lines carry this feeling of movement forward, like slowly stepping out of an older version of yourself without looking back too much. A beautiful first glimpse into The Pendulum Swings (out July 10), and proof that instrumental music can hit just as emotionally as any vocal track.

https://www.musicngear.com/blog/new-rock-generation-may-2026